DJ SK TALCHER

In a remarkable rise to fame, 19-year-old Paramjit Kaur, known mononymously as Param, has taken apollo games app the Punjabi music scene by storm with her debut track “That Girl.” Hailing from the village of Dunneke in Moga district, Punjab, Param’s journey from a humble background to becoming a viral sensation is nothing short of inspiring. Her father, Surjit Singh, is a mason, and her mother, Jaspal Kaur, is a domestic worker. Despite these modest beginnings, Param’s talent and determination have propelled her into the limelight.

Released on September 23, 2025, “That Girl” has amassed over 4.4 million views and more than 320,000 likes on YouTube within just eight days, with numbers continuing to rise. The track blends earthy authenticity with bold feminist messaging, portraying women as assertive, armed, and unapologetically independent. This powerful narrative challenges patriarchal norms and resonates with a wide audience, especially the youth.

Param’s style draws inspiration from the late rapper Sidhu Moose Wala, incorporating references to guns and her Malwa roots. Her music not only entertains but also serves as a voice of change in Punjabi pop culture. Despite her sudden popularity, Param remains largely out of the public eye, focusing on her music career and staying true to her roots.

Her family expresses immense pride in her achievements, recognizing her as a symbol of empowerment and resilience. Param’s story is a testament to the transformative power of music and the impact of authentic storytelling in the digital age.

Aaron Carter, a singer and actor known for the hit song “I Want Candy” and who gained teenage fame in the early 2000s, was discovered dead at his residence in Southern California on Saturday at the age of 34. Taylor Helgeson, a representative for Big Umbrella, an entertainment management company, verified Carter’s death but refrained from commenting on the cause.

Responding to a call at Carter’s home in Lancaster, California, the Los Angeles County Sheriff’s Department found a deceased individual at the location, as stated by Deputy Alejandra Parra, a spokesperson for the Sheriff’s Department. However, officials were yet to confirm the identity as Carter.

Carter’s musical journey began at the age of 7, and he released his first album at 9. His fame peaked with the album “Aaron’s Party (Come Get It),” which reached No. 4 on the Billboard 200 list. Despite releasing five studio albums and participating in “Dancing With the Stars,” his career encountered setbacks. In recent years, legal troubles and struggles with addiction became prominent aspects of his life.

In 2018, Carter made a comeback with the album “Love,” but it received lukewarm reviews. The once-described “tween heartthrob” had a prolific career, performing on Broadway and making appearances in shows like “Sabrina the Teenage Witch” and “7th Heaven.”

Carter faced personal challenges, including a restraining order filed against him by his brother Nick and sister Angel in 2019. Despite denying the allegations, this development coincided with the cancellation of his 2019 tour. The singer had been vocal about his mental health struggles, seeking treatment at a wellness facility in 2018.

In a recent podcast interview on “No Jumper,” Carter discussed his endeavors in real estate and declared himself “Cali sober” for five years, acknowledging occasional marijuana use and prescribed anti-anxiety medication. The host of the podcast, Adam Grandmaison, revealed the news of Carter’s death, expressing sadness despite Carter’s ongoing battles.

Throughout the interview, Carter emphasized his multi-faceted identity as a rapper, singer, producer, artist, and actor. Despite challenges, he remained determined to continue making music and expressed a commitment to personal growth and family, especially regaining custody of his son amid reported concerns.

“I’m about to be 35 years old,” Carter stated. “I’m a grown man, and it’s time to start behaving that way and doing the right thing and focusing on myself, my career, my kid, and my family.”

Singer Krishnakumar Kunnath, widely known as KK, passed away on May 31 due to a cardiac arrest while performing at a concert in Kolkata. The news was a shock to his fans, and for his family, it brought the ongoing pain of losing a cherished family member into sharp focus.

On Father’s Day, KK’s daughter, Taamara, shared a heartfelt Instagram post in loving memory of her father, revealing humorous and intimate glimpses into the late singer’s personal world. She began her post with a poignant statement, “I would take the pain of losing you a hundred times if it meant having you as my dad even for one second.”

The post featured pictures of a younger KK bonding with his children. One image captured him carrying his kids on his back, while another depicted him teaching his daughter how to play the keyboard. Taamara expressed the profound void left by her father’s absence, describing him as the cutest and most affectionate dad who would return home after a performance, eagerly awaiting moments to share cuddles with his family.

“Life is dark without you, Dad. I miss our laughter, our secret snacking rituals in the kitchen, our farting competitions. I miss showing you my music and little voice note ideas, and I miss your reactions,” she reminisced. Taamara shared a series of pictures, including one of her parents, emphasizing how her father’s love provided a sense of security, happiness, and love to their lives.

Expressing the surreal nature of the loss, she acknowledged that KK’s unconditional love had unwittingly equipped them to face such a challenge. Taamara pledged to honor her father’s memory by working every day to make him proud, spreading his positive energy, and supporting each other as a family.

In a touching conclusion, she wished her father, the “bestestest dad in the whole universe,” a Happy Father’s Day, professing eternal love and a constant sense of missing him. Despite his physical absence, Taamara expressed a belief that her father’s spirit remained with them, guiding and inspiring their journey forward.

Following criticism for the lyrics of her single ‘Grrrls’ being deemed ‘ableist,’ Lizzo has released a revised version of the song that omits the controversial line. The altered lyrics now read, “Hold me back,” replacing a term derived from the word ‘spastic,’ which drew negative attention.

The term ‘spastic’ refers to someone born with a disability that affects their muscle control, particularly in their arms and legs, as per the Collins Dictionary. Due to its offensive connotation, the preferred term is now ‘cerebral palsy.’

Lizzo faced backlash from disability activists for including the derogatory term in the original song, leading to accusations of ‘ableism,’ indicating potential discrimination against individuals with disabilities or those perceived as disabled.

In response to the criticism, Lizzo issued a public apology on social media, acknowledging the harmful word in her song and expressing a commitment to avoiding the promotion of derogatory language. As a Black woman with a larger body size in America, she empathized with the impact of hurtful words and emphasized her dedication to positive change.

The 34-year-old singer announced the release of a new version of ‘Grrrls’ with modified lyrics as a result of actively listening and taking corrective action. She emphasized her role as an influential artist dedicated to contributing to the positive change she wishes to see in the world.

‘Grrrls’ is part of Lizzo’s upcoming album ‘Special,’ set to be released in July.

Papon, the soulful singer known for hits like “Kyon,” “Moh Moh Ke Dhaage,” “Jiyein Kyun,” “Khumaar,” and “Bulleya,” believes that his musical journey is just beginning, expressing a desire to do much more. During the lockdown, he created numerous unreleased songs, offering anticipation to his fans. However, he acknowledges that being a musician in today’s world requires considerable patience and dedication.

Despite having a versatile voice and singing across various genres, Papon sees himself at the early stages of his career. He values the opinions of his listeners in determining their favorite songs among his repertoire. In the context of virtual shows gaining prominence in the last two years, Papon recognizes their appeal but asserts that live performances hold a unique charm. He highlights the motivating energy and vibrations from a live audience that virtual concerts cannot replicate.

For Papon, the most challenging aspect of being a musician is staying true to one’s music, especially in the current commercial landscape. He emphasizes the need for patience, given that passion transforms into a profession, potentially leading artists astray. Believing in oneself, one’s voice, and maintaining a connection with the preferred genre are crucial for long-term success.

Discussing the trend of tweaking and remixing regional music for mainstream appeal, Papon acknowledges that it may continue but warns against turning it into a business. While creating a personal version of a beloved song can be a tribute, excessive remixing may dilute the emotional and musical connection with the original.

Reflecting on the pandemic, Papon describes it as a life-altering phase. Despite the challenges, he engaged in relief work and focused on creating new and meaningful music. He emphasizes that the songs produced during the pandemic are yet to be released and make an impact.

Regarding the power of music in bringing peace and healing, Papon expresses how vibrations in music play a significant role. He discusses his involvement in the ‘Me For My City 4.0’ campaign, emphasizing the importance of connecting with one’s inner self through music, especially during challenging times.

As a judge for the campaign, Papon highlights the qualities a good singer should possess, emphasizing intensive practice, training with a Guru, and developing a unique voice texture. He encourages aspiring singers to stay true to their vocals and themselves, nurturing their talent with passion and confidence.